Vintage Cars in Vintage 3D:
American Cars In Cuba

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Old American iron kept running by plucky Cubans is an evergreen story in the buff books and car blogs. The Keystone View Co. sent stereo photographers all around the world, to make stereographs of exotic locales. The photos, taken in 1948 in Havana, show that at least a decade before the Castro regime took over and prohibited private ownership of any car imported after the revolution, Cubans drove primarily American cars, and new ones at that. There are new American cars on Havana’s boulevards and new trucks – I think they’re Fords, being unloaded at the docks in Havana’s harbor.

Photo credit after the jump.

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A Couple of Colorful Cadillac Coupe Convertibles

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Cadillacs have always been a bit flashy. However, I don’t think that bright orange has ever been a factory color from GM’s luxury marque, and I’m also pretty sure that Cadillac has never offered a Halloween trim package with blacked out chrome to match the pumpkin orange. According to the color chips, it certainly wasn’t available in 1966 when these Coupe DeVille convertibles came off of the assembly line. Flamenco Red, though was a standard factory color for Caddys in ’66.

Neither car is a 100 point show car, though both appear to be solid drivers and would be fine restoration projects. Frankly, though, I’m not sure restoration is the way to go. A big American convertible is the quintessential summer cruising car and Cadillacs are the quintessential big American convertibles. I either one was mine, I’d just enjoy them – though I’d have that bright orange replaced with Ember Firemist, one of the ’66 factory colors for Cadillac. It would match the brown leather interior (remember when interiors came in colors other than black or grey?) nicely.

To view the entire photo gallery in your choice of 2D or stereo 3D formats, click here for a Flash player or here for an HTML applet

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Memorial Day 2012 – Thank a Serviceman’s Family

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This is the day when Americans honor those military servicemen and women (and their families) who gave the ultimate sacrifice so that guys like me can shoot off their opinions without fear of government (or corporate) censorship. To commemorate the day, here’s a gallery of WWII era military jeeps, including the Ford GP, Ford GPW, Willys MA, Willys-Overland MB, plus a later M-38 in Navy shore patrol livery.

War is an ugly thing, but not the ugliest of things. The decayed and degraded state of moral and patriotic feeling which thinks that nothing is worth war is much worse. The person who has nothing for which he is willing to fight, nothing which is more important than his own personal safety, is a miserable creature and has no chance of being free unless made and kept so by the exertions of better men than himself.  – John Stuart Mill

On this day, we honor those better men.

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Bullet Bird: 1961 Ford Thunderbird

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I’ve always like the early ’60s “bullet Birds”. The styling perfectly captured the styling idioms of the era. The late 1950s were the pinnacle of Detroit’s styling excess. The Ford’s and Lincolns from that period often are found on “ugliest cars ever” lists. So the clean lines of the ’61 were a sharp departure, and they found an eager audience, selling over 70,000 units that year including 10,000 convertibles. For a car with a limited market – personal luxury cars would not get to be a significant market segment for another decade – the bullet Bird was a smash hit. Bill Boyer’s design for the ’61 Bird won out over Ford styling chief’s Elwood Engel’s proposal based on John Orfe and Howard Payne’s clay model that ended up being the 1961 Lincoln Continental. “We wanted to keep it very youthful, and that meant aircraft and missile-like shapes,” Boyer recalled. The dramatic interior design, which included a novel swingaway steering wheel to ease entry and egress was the work of Art Querfeld.  “I wanted to emphasize and delineate the positions of the driver and front seat passenger,” Querfeld said, “and I conceived of two individual compartments separated by a prominent console.” This ’61 Thunderbird is a mild custom – wheels, paint and some odds & ends, but it’s still mostly stock with a very original looking engine compartment that includes a vintage red plastic FoMoCo radiator overflow bag.

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“Do You Know Why I Pulled You Over?”

Chevrolet Caprice Police Pursuit Vehicle

Chevrolet Caprice Police Pursuit Vehicle

Until this week I had never been inside a police car (knock on wood) but at the MAMA Spring Rally not only was I allowed to poke around a Chevrolet Caprice Police Pursuit Vehicle that GM was showing off, their rep was offering test drives to anyone who asked.

I asked.

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WANAHOP: Buick Lowrider in 3D

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Don’t let all the chromed suspension parts fool you. If the safety chains augmenting that suspension didn’t give you a clue the WANAHOP vanity license plate will let you know that this car is set up for some serious bouncing in addition to the shine & show crowd. I think it’s kind of silly but human’s will make a competition out of almost anything. From the looks of the chrome plated reinforcing bracket on the low riding Lincoln next to it, that car has probably also gotten some hang time off of the ground. The stereo 3D pics give you a good idea of just how articulated the body gets from the ground and from the car’s components that are supposed to keep it on the ground.  Without spouting cliches about diversity, one of the things that I liked about this show was that it reflected a very broad spectrum of car culture subcultures and everyone seemed to be enjoying everyone else’s cars.

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Antique Auto Advertising:
Ford’s Village Industries

 

GM hired the Jam Handy Organization to make their promotional and training films. Ford, on the other hand, decided to go with an in-house film studio, the Ford Motion Picture Laboratories. This silent film, Story of a Little River, was made to promote Henry Ford’s Village Industries, one of Ford’s pet projects. The Village Industries were small factories, located in former mills or on the site of former mills. One of Henry’s obsessions was hydroelectric power, “white coal” is what he called it. Henry was not a city boy. He romanticized the farm life of his youth and he regretted that the success of his automobiles was changing rural life. The purpose of the village industries was to provide seasonal employment for farmers for when they weren’t busy with chores. The Michigan Public Service Commission essentially gave Ford the right of eminent domain to seize up to 25% of the land adjacent to any dam or former dam site and he eventually set up about 30 small factories.

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Car Tunes: Roy’s Toy – Jeff Beck

Musicians and cars go together just as well as music and cars. Many famous musicians have been known for their automotive purchases. Elvis Presley famously bought and gave away Cadillacs. Car Tunes’ post of the Beatles’ Baby You Can Drive My Car is one of our more popular posts because of people who do a Google search on Beatles’ cars. Still, not many musicians are actually gearheads, capable of working on or building cars. Guitar virtuoso Jeff Beck is one of the exceptions to that rule, and his passion is American muscle. He’s got all sorts of hot rods. That’s probably why Roy’s Toy starts out with the unmistakeable roar of a V8 engine. Beck discussed his love of cars and music with Barry Meguiar on Car Crazy. More video after the jump.

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Feeding The Press

Dodge Fortune Cookie

Works for me.

When a car maker springs for lunch they usually expect something in return – like your undivided  attention for 20 minutes.

At the MAMA (Midwest Automotive Media Association) Spring Rally at Road America today Dodge’s SRT division bought lunch so Ralph Gilles got to bend our ears for a few minutes.  Nothing wrong with that.  Ralph is a pretty interesting guy and his SRT division is gearing up for some pretty exciting stuff right now including, soon, the 2013 Viper, a couple of copies of which he brought along.

One need look no further than the fortune cookies for some subliminal messaging, though.  And, yes, those are the power ratings for the Viper.

2013 Viper SRT

2013 Viper SRT – look but don't touch

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